1-Drawing
At first, the study of graphics and modelling is made in pencil, then a gouache is produced to specify the coloured composition. The pattern is refined and redesigned in ink to obtain the thinnest stroke possible. Several reproductions made by photocopies or by tappings (perforation of the path) will be necessary in order to collect each element of the drawing for the cutting.
2-The choice of materials
The choice of different wood and other materials is paramount. The quality of the marquetry is mainly based on the judicious use of the aesthetic richness of the wood in all their diversities. One will choose a wood based on its colour, its veining, its grain, its depth, its brightness. The materials are crude and you have to imagine the appearance they will take when varnished. The same wood will have an entirely different appearance if it is debited on the neighbourhood, on Dosse, in end wood or in sausage, in a magnifying glass or in a bramble. The use of other materials will give strong contrasts, either by material or by color.
3-The preparation of the packages
The technique "element by element " allows to cut several thicknesses at the same time, from 2 to 6 with sawn veneer, up to 12 with sliced veneer. A package consists of veneers of the same superimposed species and is maintained by riveting, reinforced underneath by a counter plate. Then we just stick the drawing of each piece to be cut on the package.